Each of the libraries sounds different and has a character of its own, with my colleagues demonstrating repeatable preferences in blind testing. Running Nebula in multiple instances seemed to throw all those ideas of processing power liberation to the wall! The downside to Plex as compared to a more modern plug-in that might have less character is that you must give up niceties like tempo-sync, feedback control, or even basic timing control. Neve 1081 equalizer and unknown probably Neve 80 series console line outputs. Check your inbox or spam folder now to confirm your subscription, if you don't do this you wont get any emails from us. It has been like this for years, and judging from the developers replies to forum posts, there seems no desire to change. Back when I first tried the product years ago, the potential for the platform was hinted by in the bundled library. Additionally, we experienced graphical lock-ups in Logic Pro X - it only affected Titanium and the sound wasn't damaged in any way, though, and we're assured that they're working on this, too.
It samples hardware rather than attempting to emulate it using algorithms. Nebula users already know how effective Acustica's approach to impulse modelling is - indeed, even the most software-resistant hardware-heads have been known to sing its praises when pressed. The intention is to display ads that are relevant and engaging for the individual user and thereby more valuable for publishers and third party advertisers. The current way the programs are tagged and organized is inconsistent and confusing. Low Mid ranges from 100Hz to 2kHz, while High Mid runs from 2-8kHz, and again, each one offers a Gain knob range of -15dB to +15dB. Acustica Audio's Acqua series of plug-ins recreate classic items of analogue studio hardware, but here's no modelling or emulation involved. But if I can do that for an Olympic athlete, it can make the difference between a good effort and a medal.
This creates a dynamic model of the hardware including its distortion characteristics. I will try them out sometime this week and let you know. Fixed Low band, Variable Presence. More to the point, it sounds better. But luckily, the presets cover a range of timings: 439 ms, 380 ms, 312 ms, 245 ms, 180 ms, 123 ms and3 ms. Anyone in search for faithful emulations simply must try this vintage British channel strip complete with its standalone modules.
Dynamic convolution overcomes this limitation by making lots of measurements at different signal levels, and interpolating between them. Nor, thankfully, does it recreate print-through, dropouts, timecode bleed, dodgy alignment, lengthy rewind times or any of the other undesirable features of tape recording. Preset count is kept to a minimum while still credibly emulating the hardware. In other words, the odds of people getting an accurate first impression are higher now. Both types have their own named folder in the Nebula folder.
The controls don't quite match up. Vectors are larger files that contain the actual sampling data that Nebula references during processing. At this point in its development, it can only emulate subtle saturation, so full on distortion effects are not yet possible. As a legacy note, while writing this article, Acustica Audio discontinued the Nebula 2 series an inexpensive but both more difficult to use and less powerful version. Dynamic convolution conspicuously lacks the above-mentioned advantages of modelling. Like we did for Sand and Coral, we decided to create standalone versions for each module.
Result: a faster and less frustrating approach to mixing, at least in theory. It certainly sounds like a real piece of hardware, as opposed to a plugin. As a point of clarification, the batch processing is based around processing several files in a row with the same settings, not processing the same files with a lot of different Nebula programs in a row though processing files with any of the handful of setups you have open at a given time is a quick process. The Plex Tape Delay is taken from a Maestro Echoplex with programs sampled at various delay times, with feedback. This in itself is very exciting.
The benefits in other worldly sound quality did not outweigh the risk of random crashing or audio artefacts to which early versions of Nebula seemed to be plagued with in my own experience. Additional Libraries The majority of users are more likely to buy Nebula for the libraries currently available than to try to roll their own. We're mainly covering Titanium 3B here, as the other two differ from it only in the number of processing bands on offer. Unlike most modelling-based 'tape' plug-ins, it does not reprodce wow and flutter, and its 'samples' have been scrupulously de-noised, so it introduces no discernible hiss. Because Acustica's Acqua engine works its emulating magic by effectively sampling the effects of actual hardware, we know it must be based on some historically significant desk, even if it isn't obvious which one. Instead you have 7 presets. Any improvements in this area will be greatly appreciated by your new customers.
On top of that, several libraries already sounded noticeably better in Nebula 3 let alone 3. We've always liked Acustica's plugins, but the technology used necessitates a certain amount of latency, and thus they can feel a bit laggy, meaning that when you tweak a control, the change isn't heard immediately. For the 3rd-party developers, here are a few suggestions that would help to better cater to a different breed of potential customers. I want to get on and mix, not worry about where the licenses to my products are. Instead, Acustica use a proprietary form of convolution to, in effect, 'sample' the response of the original units. On my computer, there was an irritating lag of half a second or so in response to any user input, and the impressive look of the rotary switches is undermined by the rather hesitant and vague way they move when adjusted. .